alternatīvais dzīvesveids un ikdienas pretošanās alternatīvas izglītības formas
autoritāro/totalitāro režīmu vajāšanas pārdzīvojušie avangarda kultūra
avangards, neoavangards
cenzūra
cilvēki, kas apzināti atsakās no karadienesta reliģisku vai idejisku motīvu vadīti
cilvēktiesību kustība dabas aizsardzība
demokrātiskā opozīcija
emigrācija/trimda
etniskas kustības
filma filozofiskas/teorētiskas kustības
jaunatnes kultūra kritiskā zinātne
literatūra un literatūras kritika mediju māksla
miera kustības
minoritāšu kustības mūzika nacionālās kustības
neatkarīgā žurnālistika partijas disidenti
populārā kultūra
reliģisks aktīvisms
samizdats un tamizdats
sieviešu kustība sociālās kustības
studentu kustība tautas kultūra
teātris un izpildītājmākslas
tēlotājmāksla uzraudzība
vizuālā māksla
zinātniskā kritika
aprīkojums
apģērbs
artefakti
audioieraksti citi mākslas darbi
cits
filma
fotogrāfijas
gleznas
grafika
juridiska un/vai finanšu dokumentācija
karikatūras lietišķās mākslas priekšmeti manuskripti
mēbeles
mūzikas ieraksti pelēkā literatūra piemiņlietas
publikācijas
skulptūras
videoieraksti
The Romanian Institute for Research on National Minorities is a legally constituted public entity under the authority of the Romanian Government. It was established in 2007. One of the RIRNM’s departments is the Documentation Centre. Its role is to facilitate research on national minorities from Romania, and to this aim, the Documentation Centre collects and archives primary research sources too.
The present collection comprises a series of archival materials relating to the activities of the Moldavian Union of Cinematographers (MUC). It covers the period from the early 1960s to the late 1980s. The materials in this collection were selected from Fonds No. P-2773 (Uniunea Cineaștilor din Moldova), which is currently held in the Archive of Social-Political Organisations (AOSPRM) of the Republic of Moldova in Chișinău. The collection files mainly focus on a number of professional congresses of the MUC and national conferences of cinematographers, with a special emphasis on the 1960s, early 1970s, and late 1980s. These materials are revealing for the uneasy relationship of the local film industry with the Soviet authorities, highlighting the internal dynamics and competition within the organisation, but also the ideological pressure exercised by the regime.
The present collection comprises a series of archival materials relating to the activities of the Moldavian Writers’ Union (MWU) and spanning the period from the early 1950s to the late 1980s. The materials in this collection were selected from Fond No. P-2955 (Uniunea Scriitorilor din Moldova), which is currently held in the Archive of Social-Political Organisations of the Republic of Moldova (AOSPRM) in Chișinău. The collection files mainly focus on a number of Party meetings, writers’ congresses and national conferences which discussed significant issues related to the local cultural heritage, the “language question,” and the relations between the literary milieu and the Soviet regime.
The collection of the Slovak writer and publicist Dominik Tatarka (1913–1989) contains unique correspondence, manuscripts and audio recordings illustrating life of this leading Czechoslovak writer, who had been critical to the communist regime since 1950s and became a “banned author” and dissident after 1968.
