alternatīvais dzīvesveids un ikdienas pretošanās alternatīvas izglītības formas
autoritāro/totalitāro režīmu vajāšanas pārdzīvojušie avangarda kultūra
avangards, neoavangards
cenzūra
cilvēki, kas apzināti atsakās no karadienesta reliģisku vai idejisku motīvu vadīti
cilvēktiesību kustība dabas aizsardzība
demokrātiskā opozīcija
emigrācija/trimda
etniskas kustības
filma filozofiskas/teorētiskas kustības
jaunatnes kultūra kritiskā zinātne
literatūra un literatūras kritika mediju māksla
miera kustības
minoritāšu kustības mūzika nacionālās kustības
neatkarīgā žurnālistika partijas disidenti
populārā kultūra
reliģisks aktīvisms
samizdats un tamizdats
sieviešu kustība sociālās kustības
studentu kustība tautas kultūra
teātris un izpildītājmākslas
tēlotājmāksla uzraudzība
vizuālā māksla
zinātniskā kritika
aprīkojums
apģērbs
artefakti
audioieraksti citi mākslas darbi
cits
filma
fotogrāfijas
gleznas
grafika
juridiska un/vai finanšu dokumentācija
karikatūras lietišķās mākslas priekšmeti manuskripti
mēbeles
mūzikas ieraksti pelēkā literatūra piemiņlietas
publikācijas
skulptūras
videoieraksti
The Alexandru Călinescu private collection epitomises the trajectory of an intellectual in an important university city who began to practise a camouflaged contestation, published in local student magazines, with a limited readership, and ended up in unequivocal public opposition, disseminated transnationally through foreign radio stations. The collection marks some of the key episodes in the movement of resistance to and contestation of the communist regime as it manifested itself in Iaşi, the historical capital of the region of Moldavia and the city with the oldest university in the Old Kingdom of Romania. At the same time, the collection and the personal story of Alexandru Călinescu illustrate a lesson in dignity in very difficult times, when there were few who had the courage to speak openly against the Ceaușescu regime.
The Weeks of Christian Culture and the Artists’ Priesthood were the very important cultural initiatives of the Polish Catholic Church, organised since the 1970s. They were the first nation-wide platform for artists of various professions, who were given a chance to speak freely and to show their works to the society – regardless of their beliefs. The participants had the opportunity to interact with independent culture, prohibited or absent from the official circulation. The collection includes both the documents on the initiatives’ history and the works of art created by its participants.
The Audiovisual Section of the Libri Prohibiti library contains recordings of non-conformist music and spoken word, underground lectures and seminars. It also contains video-documents and amateur film productions. The unavailability of the original recordings and total content consisting of thousands of exemplars makes the collection unique in the Czech context.