Broņislava Martuževa (1924-2012) bija dzejniece un pretpadomju pagrīdes dalībniece 1945.-1951. gadā. Kolekcijas lielāko daļu veido viņas sarakste pēc atbrīvošanas no ieslodzījuma 1956. gadā un līdz 2000. gadam, dzeja, kas tika sarakstīta, dzīvojot nelegāli 1946.-1951. gadā, kā arī ieslodzījuma laikā Sibīrijā, 1950.-1951. gadā ar viņas līdzdalību izdotā nelegālā patriotiskā žurnāla "Dzimtene" kopijas un daži citi artefakti.

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Atrašanās vieta:
- Rīga Tērbatas iela 75, Latvia 1001
Temati:
Izveidošanas datums:
- 1946
Nozīmīgi vienumi:
- Pagrīdes izdevums "Dzimtene", 1950. gada maija numurs

Balys Sruoga Collection

The Balys Sruoga collection holds various documents, including notes, manuscripts and correspondence with other Lithuanian writers. The documents illustrate well the situation of intellectuals and writers in Soviet Lithuania under Stalin. The manuscript of Sruoga’s novel Dievų miškas (The Forest of the Gods), written in 1945, is especially valuable. The manuscript was very severely criticised by the authorities and heavily censored. It was only published in Soviet Lithuania in 1957.

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Atrašanās vieta:
- 10308 Vilnius Antakalnio gatvė 6 , Lithuania
Temati:
- literatūra un literatūras kritika
Izveidošanas datums:
- 1959
Nozīmīgi vienumi:
- The Forest of the Gods by Balys Srouga, 1945. Typescript (with censor’s remarks)

Barbara Fatyga Archive

Private archive of prof. Barbara Fatyga gathers thousands of materials regarding Polish youth culture in the late 1980s and early 1990s. The archive is an effect of various research projects led by Fatyga and her co-workers – initially at the Institute for Youth Problems Research and later in the Youth Research Centre in the Institute of Applied Sciences at the Warsaw University. The archive contains youth fanzines and cassettes as well as recordings and transcripts of biographical interviews.

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Atrašanās vieta:
- Warszawa Nowy Świat 69, Poland 00
Temati:
Izveidošanas datums:
- 1988
Nozīmīgi vienumi:

Baász Imre Collection

The bequest of Imre Baász is proof of the progressiveness of his thinking, the innovativeness of his artwork, and the dynamic cooperation in which he engaged in times of political, cultural, and intellectual oppression. In the 1980s, the progressive, radical creative work was detached from the capital Bucharest, which served as the perpetual center. In this reversed centrum–periphery relationship, the periphery offered more freedom, and it ensured security and the possibility of invisibility. An important example from Transylvania of the micro-groupings which promoted progressive ideas and Western European styles and methods is the MaMű Association of Târgu-Mureș, which actively encouraged the practice of concept art, mail art, action art, and abstract artistic language in general. Imre Baász, though never an official member of the MaMű, shared their artistic view and language, and his work in the town of Sfântu Gheorghe can be considered as the prolongation of the Association’s work.

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Atrašanās vieta:
- Sfantu Gheorghe, Sfântu Gheorghe, Romania
Temati:
Izveidošanas datums:
- 1991
Nozīmīgi vienumi:

Benedikt Rejt Gallery

Benedikt Rejt Gallery and its collection were founded in the 1960s with the aim of collecting contemporary tendencies in visual arts. The gallery kept buying works by progressive artists even after 1968. The Benedikt Rejt Gallery owns a unique collection of constructivist pieces.

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Atrašanās vieta:
- Pivovarská 29, 440 01 Louny, Czech Republic
Temati:
Izveidošanas datums:
- 1965
Nozīmīgi vienumi:
- Filla, Emil. Slovak Folk Songs, 1948–1951. Paintings