alternatīvais dzīvesveids un ikdienas pretošanās alternatīvas izglītības formas
autoritāro/totalitāro režīmu vajāšanas pārdzīvojušie avangarda kultūra
avangards, neoavangards
cenzūra
cilvēki, kas apzināti atsakās no karadienesta reliģisku vai idejisku motīvu vadīti
cilvēktiesību kustība dabas aizsardzība
demokrātiskā opozīcija
emigrācija/trimda
etniskas kustības
filma filozofiskas/teorētiskas kustības
jaunatnes kultūra kritiskā zinātne
literatūra un literatūras kritika mediju māksla
miera kustības
minoritāšu kustības mūzika nacionālās kustības
neatkarīgā žurnālistika partijas disidenti
populārā kultūra
reliģisks aktīvisms
samizdats un tamizdats
sieviešu kustība sociālās kustības
studentu kustība tautas kultūra
teātris un izpildītājmākslas
tēlotājmāksla uzraudzība
vizuālā māksla
zinātniskā kritika
aprīkojums
apģērbs
artefakti
audioieraksti citi mākslas darbi
cits
filma
fotogrāfijas
gleznas
grafika
juridiska un/vai finanšu dokumentācija
karikatūras lietišķās mākslas priekšmeti manuskripti
mēbeles
mūzikas ieraksti pelēkā literatūra piemiņlietas
publikācijas
skulptūras
videoieraksti
The CNSAS Online Collection (CNSAS – Romanian acronym for the National Council for the Study of the Securitate Archives) illustrates how the communist secret police, the Securitate, conceptualised: (1) oppositional groups and individuals in communist Romania; (2) the forms in which this opposition manifested against the party-state; and (3) the transnational support it received from the exile community and foreign organisations. It also encompasses an impressive amount of invaluable information about the inner mechanisms of the Securitate, its institutional development and relationship with the Communist Party, the use of repression against any form of opposition, and the use of surveillance to avoid the development of oppositional groups and networks during its over forty years of functioning. In brief, this collection offers a comprehensive image of the means and methods used by the communist secret police, the Securitate, to deal with the anti-communist opposition between 1948 and 1989, and the response it received from oppositional groups and individuals.
The Mirel Leventer private collection of photographs and films is the richest archive of images from the period of glory of Club A, 1969–1989, when it operated as a (semi-) clandestine and exclusive club, founded and administered by students of the Institute of Architecture in Bucharest (today the Ion Mincu University of Architecture and Urbanism). Club A was an oasis of freedom created in a basement in the middle of the historic area of the capital of communist Romania for the purpose of being able to organise shows, debates, and concerts that would be an alternative to the officially promoted culture, and to offer young people a place where they could behave as if they were free. In short, the Mirel Leventer private collection preserves the memory of an essential place for the alternative culture of young people in the last two decades of Romanian communism.
The Commission for Ideological and Political Work of the People's Youth of Croatia (1945-1962) was crucial in the development of young people regarding their guidance and education based on socialist values. The Commission worked under the aegis of the Communist Party, and its primary task was to monitor all activities that were opposed to the regime. Therefore, the numerous documents in this collection encompassing the period from 1945 to 1962 show different oppositional aspirations and activities of young people in Croatia in the immediate post-war period up to the beginning of the 1960s.
The Cornel Chiriac Ad-hoc Collection at CNSAS comprises documents created or collected by the Romanian secret police, the Securitate, about Cornel Chiriac, a non-conformist Romanian journalist and jazz drummer, together with letters written by his fans, which were intercepted by the Securitate and never reached him. Cornel Chiriac was one of the most beloved radio and record producers at Radio Romania and then at Radio Free Europe and became an idol of the younger generation in the late 1960s and the 1970s.