alternatīvais dzīvesveids un ikdienas pretošanās alternatīvas izglītības formas
autoritāro/totalitāro režīmu vajāšanas pārdzīvojušie avangarda kultūra
avangards, neoavangards
cenzūra
cilvēki, kas apzināti atsakās no karadienesta reliģisku vai idejisku motīvu vadīti
cilvēktiesību kustība dabas aizsardzība
demokrātiskā opozīcija
emigrācija/trimda
etniskas kustības
filma filozofiskas/teorētiskas kustības
jaunatnes kultūra kritiskā zinātne
literatūra un literatūras kritika mediju māksla
miera kustības
minoritāšu kustības mūzika nacionālās kustības
neatkarīgā žurnālistika partijas disidenti
populārā kultūra
reliģisks aktīvisms
samizdats un tamizdats
sieviešu kustība sociālās kustības
studentu kustība tautas kultūra
teātris un izpildītājmākslas
tēlotājmāksla uzraudzība
vizuālā māksla
zinātniskā kritika
aprīkojums
apģērbs
artefakti
audioieraksti citi mākslas darbi
cits
filma
fotogrāfijas
gleznas
grafika
juridiska un/vai finanšu dokumentācija
karikatūras lietišķās mākslas priekšmeti manuskripti
mēbeles
mūzikas ieraksti pelēkā literatūra piemiņlietas
publikācijas
skulptūras
videoieraksti
The Andrei Partoş–Radio Vacanţa-Costineşti Private Collection includes photographs, publications, and various documents regarding a seasonal radio station that operated during the summer holiday period in Costineşti, which was officially and popularly considered to be the seaside resort for young people. This radio station and its associated activity in Costineşti was a social phenomenon without any term of comparison in the Romania of the 1980s, an epitome of the alternative culture of the younger generation under later Romanian communism and a formative experience for the generation who supports the democratic consolidation in present-day Romania.
András Kisfaludy’s collection suggests ways of interpreting retrospective gazes on the alternative culture of the socialist period. While Kisfaludy is the owner of a sizable private collection that concerns alternative and dissent culture of the era, he is more a creator than a collector of documents. During the late 1950s and early 1960s, he was a member of the famous youth gang called "Kalef" (in 2006, he made a film about the gang). From 1968 to 1971, he was the percussionist of the underground band "Kex.” Kisfaludy began to make documentary films on cultural opposition in the 1990s. The core of his oeuvre was done between the early 1990s and early 2000s.
The status of the collection is special because the rights of the movies belong exclusively to András Kisfaludy, so the collection exists only as a private collection. However, the majority of his films are accessible via Youtube.
The Anonymous Mountaineer collection illustrates how a passion for the mountains and for climbing could become a passion for freedom. More precisely, the collection reflects a distinctive type of cultural opposition, practised by those with a passion for the mountains and for climbing. This sport permitted a temporary escape from the routine of life under communism into places where the communist regime effectively ceased to exist. At the same time, in the case of communist Romania there was also a second dimension of opposition, because climbing involved a connection with the parallel economy in order to procure the necessary technical equipment, which was not to be found in shops. The Anonymous Mountaineer collection preserves a great variety of climbing equipment that was either improvised by the owner of the collection or obtained on the black market, where such items were commercialised.
Artists' books, became worldwide starting the end of the 1960s a medium of communication between graphic artists, writers, photographers and artists working with new media. Soon this medium was discovered by a young generation of artists in the GDR, who distancing themselves from socialist realism, used it as a vehicle for sharing not only their artistic views as well as dissenting ideas, which eventually draw the attention of the Stasi. This collection of GDR artists’ books has its origin during the GDR times when artists approached the Saxon Library, then active in purchasing graphic art from throughout the GDR.
Artlist is an online database that maps the development of modern and contemporary Czech fine art from the second half of the 20th century. Artlist is a unique project that allows free and online searches of authors and their works, including the artist's biography and catalog, and a detailed description of his work.